We took a trip to a swamp in Southern Georgia with a crazy sounding name, Okefenokee. The swamp is pretty massive and full of spiders, alligators, snakes, and godless killing machines, aka bears. Consequently, I am not about to go camping here anytime soon! I took this 4 vertical shot panorama from the top of a lookout tower that was about 50 feet high. AutoPano Pro is pretty amazing software for stitching. I had a tripod set up for these shots, but the wind was blowing and 3 people on top of a lookout had the top swaying quite a bit, yet it still seems to have stitched even the foliage without a hitch.
Not Dodge as in the auto maker, but dodge as in a little dodging here and a little burning there really helped make this picture have an almost three dimensional feel to it. The four exposures ran through Photomatix HDR process helps with bringing out a unique look to the textures as well. I must say I love the new version. It is stupid simple to get rid of ghosted objects and even has a bunch of presets to get you to a starting point for getting your shot to look how you would like it. Anyways, I found this truck a while ago and wanted to come back with a camera during a sunset or sunrise. Got lucky on a trip to Andersonville and hit this as the sun was setting on our way back.
Neither image is HDR or DRI. Just messing around with Lightroom presets and then adjusting sliders from there. Sadly, I spent two evenings at Driftwood Beach on Jekyll Island and didn’t really get any decent shots. There are a far stretch! I had problems with my CP causing really dark, unevenly exposed images. The sun was setting to my back in most shots, so I will have to keep that in mind in the future. These filters sure are a learning experience!
This was my first fireworks show that I have ever attempted to shoot. I thought it would be an easy affair other than finding the right spot amongst the throngs of people. We were at Jekyll Island on the coast of Georgia for the event, so we set up a small plot on the beach and waited for the show begin. I figured it would be cool to get really long exposure by stopping down to about f18 and even covering the lens between bursts to get as many fireworks in the shot without overexposing the areas below.
This does not work. You are lucky if you can get a series of 2 shots without the bright blasts completely over exposing the area of explosion and also lighting up the smoke in an unappealing way. I was getting my best shots by capturing only one at a time, which meant lowering the exposure to around f9 for proper exposure. Ideally you would be somewhere like Sydney Harbor that has a linear series of shots that do not explode in the exact same spot in the sky.
The last thing I would like to have changed, but is usually out of a persons control is the wind. If you could keep the wind blowing directly against your back as you face the display, that would help hide the smoke that easily lights up in your shot. I wasn’t too happy with the shots, but it was a good learning experience for next time.